Signature format / Real 8mm film
Super 8 Wedding Videographer
Super 8 is real film — physical 8mm motion film stock, shot through a vintage camera I load by hand between rolls. It has grain. It has light leaks. The colors bloom in a way digital sensors can’t actually reproduce, and the frame rate has a heartbeat to it. None of that can be faked with a filter.
This is the format that’s booked me most of my favorite weddings. Couples don’t come to me for “a wedding video” anymore — they come to me because they want a film that looks like the way they’ll actually remember the day. Super 8 is the reason it does.
On the day itself, I shoot Super 8 alongside my digital coverage — usually a roll or two during getting-ready, one at the ceremony exit, one at golden hour with just the couple, and a final roll on the dance floor. The 8mm gets processed at a lab, scanned to digital, and cut into the final film so that a modern documentary edit is interrupted, at exactly the right moments, by the texture of memory.
Showcase
Films that already carry Super 8.
A dedicated Super 8-only reel is in the edit room. In the meantime, these full films have Super 8 woven throughout — watch for the grain.
Chloe + David
Coachella Valley, California
Coachella Wedding
Carmen + Caeden
Deer Valley Resort - Park City, Utah
Highlight Film
Summer + Austin
La Caille - Sandy, Utah
Epic Wedding
Why it matters
Memory doesn’t look like 4K.
Every couple gets a slick digital wedding film these days. That’s a good thing. It also means that pure digital coverage has stopped feeling like the thing that separates one wedding film from another.
Super 8 is what makes a wedding film feel like memory instead of content. It’s soft where digital is sharp. It’s warm where digital is neutral. It has the color palette of every home movie you grew up watching, because it is one — the same physical film stock your parents shot on has been re-issued and it’s still made in Kodak’s labs in Rochester today.
For me, blending Super 8 into a modern documentary edit is the closest I’ve found to filming what a wedding day actually feels like — half sharp, half impressionistic, always alive.
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